Mark Barry
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Biography
Mark Barry’s paintings are lovingly rendered in the artist’s signature,
faux-naive style. His many themes include jazz musicians at play (he often
listens to jazz as he paints) and jubilant family gatherings at the artist’s
Maryland home. His most recent show at Steven Scott Gallery in 1999 included
images of playtime with the artist’s daughter and his dog as well as intimate
moments with his wife, Sandy.
Mark Barry was born in Worcester,
Massachusetts in 1955. He received his B.F.A. from the Swain School of Design
(now University of Massachusetts at Dartmouth) in 1981 and studied on the
graduate level at Brooklyn College and Johns Hopkins University. He has been
exhibiting his oil paintings, painted ceramics, and etchings since 1981 in New
York, Maryland, Kentucky, Colorado and Oregon. His work is in the collection of
the Baltimore Museum of Art, The Baltimore Sun and numerous corporate and
private collections.
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Monday, 7 AM, 2000
oil on board, 20 x 16" framed
$850
Ticket to Love, 2002
oil on canvas, 44 x 38"
$3000
Special Spot, 2003
oil on canvas, 30 x 28"
$2000
Morning Bath, 2003
oil on canvas, 24 x 28"
$1700
Once in a Lifetime, 2003
oil on canvas, 40 x 34"
$2900
The Makeover, 2003
oil on canvas, 34 x 30"
$2300
The Caller, 2003
oil on canvas, 32 x 34"
$2300
Rain Dance, 2003
oil on canvas, 28 x 30"
$2000
The Wave, 2002
oil on canvas, 42 x 48""
$3000
Nude Dreaming, 2003
oil on canvas, 50 x 48"
$4000
The Birthday Party, 2001
oil on canvas, 56 x 58"
$4500
No Was Not in Her Vocabulary (small version), 2002
oil on board, 16 x 16" $750
No Was Not in Her Vocabulary, 2003
oil on canvas, 54 x 52"
$4000
Set 1
Set 2
Set 3
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Reviews
"Barry’s greatest gift is the happiness with which he
endows his images. This is not a mindless, silly happiness, but springs from a
deep appreciation of life. Whatever Barry’s people do - cook soft crabs, play
with the dog, read quietly, have a night out, kiss one another, take a bath -
Barry has them do it with a loving sense of the gift of time.”
Excerpted
from “Lively works bursting with joyfulness”, John Dorsey, art critic, The
Baltimore Sun, December 15, 1998.
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